Researched from more than thirty kind of most sought-after dirt effect pedals. We picked the exceptional ones and narrow them down into three devices which covered in this bundle: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive.
Originally modeled after 30 kind of most sought-after distortion, overdrive, and fuzz FX pedals. We picked the best of them, then narrow down all of them into these devices: DS3603, FZ3603, and OD3603. All the varying parameters are streamlined into a uniform 3 knob parameters plus 1 dry-wet knob, to cover every tone which are essentials for any guitarists (even synth-players). This first series of EFEKTOR will feature three designed and modeled after legendary distortion, fuzz, and overdrive effect pedals which shapes the diverse sound of Rock music across different genre and era: DS3603 Distortion, FZ3603 Fuzz, and OD3603 Overdrive. Each will pack 5 different effect models to cover various tonal characteristics sought-after by guitarists.
Kuassa also releases EFEKTOR Silencer, a noise gate effect which always comes standard in every Amplifikation Series, improved and released for FREE as an individual plugin for your convenience.
Efektor OD3603 Overdrive
Back in the early days of electric guitars and amplification, guitar players didn’t care if their guitar sound were altered to ‘breaking’ by the very limit of their amps. They pushed the gain on their amps for just one thing LOUD. It resulted in crunchy saturated sound, added sustain, raw, but responded very well to the dynamics of the playing.
Efektor FZ3603 Fuzz
KUASSA EFEKTOR is a new line of plug-ins which consists of several of most requested effect units. The grandfather of ‘artificial’ effect units. Recognizable from its distinct sound, heavily clipped and compressed to the point where the waveform is squared, adding harsh and complex harmonics and inharmonics, almost synth like.
Efektor DS3603 Distortion
KUASSA EFEKTOR is a new line of plug-ins which consists of several of most requested effect units. This DS3603 DISTORTION clips the input signal by increasing the signal to maximum overload. Adding musical harmonics and overtones while still maintains the characteristics of the original sound, or not.
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